Monday, January 23, 2012

For your consideration — "So much for that 'Intermission' " edition

Addenda to my December 21 collection of "the Year's Best Movies" lists:

Also not surprisingly, you'll find some titles shared across both of those lists.

Meanwhile, Julie at Misfortune Cookie offers the Best overlooked and underappreciated performances of 2011 and Roger Ebert declares They wuz robbed.

IndieWire/Press Play: The winners of the Vertigoed contest — In response to the foofaraw (given a wobbly rocket boost by Kim Novak) over that pivotal scene in The Artist scored to a distinctive Bernard Herrmann cue from Hitchock's Vertigo, the Press Play staff launched a contest among their readers. Rule #1:

Take the same Herrmann cue -- "Scene D'Amour," used in this memorable moment from Vertigo -- and match it with a clip from any film.... Is there any clip, no matter how silly, nonsensical, goofy or foul, that the score to Vertigo can't ennoble? Let's find out!

And so they did. The results are in. Click here for the full scoop on the contest, its criteria, and the judges, followed by the Grand Prizewinner — STAR TREK II: THE WRATH OF KHAN, by Jake Isgar — the four finalists, and some special awards (e.g., Citation for Homoerotic Grandeur: TOP GUN by De Maltese Valk).

My glowering assessment of that Vertigo cue in The Artist is here.

NPR: Movie Titles That Might Have Been — From Teenage Sex Comedy That Can Be Made for Under 10 Million Dollars, That Your Reader Will Love But the Executive Will Hate to (wait for it) American Pie.

How many movies will we watch over a lifetime? AD Jameson is keeping track of his own number — 1,925 so far:
That doesn’t sound like too many, not after fifteen years of avid cinephilia. But to put it in some perspective, that’s roughly 128 feature films/year, or about one every three days. ... We found last week that there have been at least 268,246 features made. (Since then, the IMDb’s count has grown to 268,601.) So I’ve seen little more than .7% of them—and remember, I think that IMDb count far too low.
Why he has given so many poor ratings to contemporary movies:
The more you watch from the present day, the more garbage you’re bound to see—but your conclusions will be your own. Conversely, the further back you go, the more you’ll be guided by the opinions of others. (If nothing else, what’s available will be largely determined by what’s remained popular.)

"What if..." Movies reimagined for another time & place — Artist Peter Stults asks "...what if movies we were all familiar with were made in a different slice of time? Who would be in it? Who would direct it?"